Re: The best Codec for Premiere CS4 – Adobe Support Community –

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
I have a new computer, so it makes sense that I need a certain codec to install in order to view my video as I edit on Adobe Premiere Pro CS4. My footage works. First, does anyone know the best codec to use for Adobe Premiere Pro? Adobe TS made me install CODEC’s from some free site when i was using Premiere.
 
 

Adobe premiere pro cs4 codecs free

I need help. I can not always connect to the internet via ethernet or wireless 2. I would like to have a center to help once again – I use it once a year or more, but it’s good to know that it is there 3. I’m still not able to install MS Office 4.

I would like to get this software for shock absorption. The HARD drive works? Needs to be installed first, its very important common Modules. Ultimately, you want a Toshiba Recovery Disc, this way you can be sure that all drivers are installed correctly. I believe you can get replacement of Toshiba drives. I was moving a folder with images of office to image folder in the c drive, during the operation to arrest him.

When I check the destination file, find the loss of images. I suggest try to perform the clean boot and then try to move the pictures and check if it helps:.

NOTE: When you are finished troubleshooting, make sure that restore you the computer mode normal startup such as suggested in step 7 of the above article. WMM is so simple and straightforward. I don’t want a software that takes a genius to use. Even I could design a better software. In any case, for some reason when I import a video on my project it fills the screen. It is black boarder thick around her.

I did research it and I saw a lot of things on the elongation or something like that. But I’m not a computer genius and adobe is expected of course as everyone else so I was wondering if someone could help me. Thank you. In CS4, when you create a new project, they will set some preferences global and then invited to create a new sequence chronology.

It is here that we will need to know the full specs. There are many Presets and then one ’special‘, the desktop Preset. If you can tell us the complete specifications. That will fill your frame perfectly.

PrPro from CS4 has the ability to have different sequences for different sequences, in the same project. Now, WMM is well enough designed to deal with standard WMV images, is very limited on the one hand, but on the other hand, simple to use – many, many fewer choices to make. It’s ’standard‘, or nothing. When you have explored the power of PrPro and get used to the implementation of your footage, you will come to love him.

The ‚power‘ is intoxicating, and operations will become second nature. Then, although the use of resources and projects, you will return the reader through all aspects of the process of with PrPro CS4 edition.

When you are finished, there will be very little, that you will not have been exposed to. Curt spends a good part of the time by saying the drive all on the ‚why‘ and not only the „how“.

I can’t open the CC project by clicking on the symbol of CS4. I discovered myself that you can choose in the project folder if you want to save the project in CS4 or CC. Sorry I took your time with my problem. I am trying to create messages of public interest for You Tube initially created with a small device that produces Quicktime HD files. For YouTube they do not have to be perfect, but that’s what I’m working with.

My computer has only 4 GB of ram so I can’t watch the video to test synchronization because it gives just a slide show when editing. He never does anything, but a slide show with HD video. When I watch the original unedited Quicktime file synchronization was distant. So I thought it was okay to continue. Everything was perfect after that first made the raw images. The first video worked, right? Synchronization of the raw images of the second video has been fixed, right?

I have no idea why. F4V was worse than FLV, but none are ideal for 2 video. So I guess I have two questions:. I use Vista 64 bit, 4 GB of ram, dual-core intel. What I have to do a significant hardware upgrade just to get HD video do not make a slideshow during first execution? AVI file to the private mssg link CineForm neoscene can handle that sort of thing of conversion, but I do not have this program Import original mov file to the new project, untie her, remove its import wav and put on wav chronology I increased the volume on an audio file with conversion just for my own satisfaction The file size will be HUGE You can then IMPORT the AVI file that you exported in first for your mounting– je commencerais nouveau projet pour cela with very little „loss“ of original quality – most of the humans would be able to tell any difference between the quality of the original and this AVI file I can’t.

After you change the avi file or files to export as flash or anything else you want Now my client wants what he re – edit and prepare the Blu – ray disc. Video of origin being shoot in SD format, which is the best option available for re – edit it and prepare for Blu – Ray disc.

Event is 60 Mts length. Any guidance, help will be highly appreciated. Explain to your client that the original was not shot in high definition. DVD is the best it will get. But if I take the film of the project Panel and drop directly to the timeline, the two film and the sound is OK.

Use only stereo, not 5. I’m new here. I was wondering if my laptop could run Premiere Pro CS4. Regardless of the conditions on adobe. Tell me if I need to add more specifications. He comes to RPM drives and important features.

No, you needn’t the ExpressCard if you have an eSata port. I did not, so I was just showing what is available. But for editing on a laptop, you’ll want a second disc for your support with your internal drive for the OS and creation. You can do it on a drive to the rigour, but performance will suffer. If your laptop could mount a second internal drive then that would be nice, but it’s going to be a hot laptop! Please can you lucky my serial number of the version of windows in a Mac version?

First of all, this isn’t Adobe. This is a user to user forum. We are customers like you, with the exception of a few employees from Adobe that are similar to. Second, Adobe doesn’t support a change of platform operating system for current software versions, although you can switch to another platform:. Exchange a product for a different version of the language or platform. First of all, I must say that English is not my mother tongue.

Replied by LA Color Pros Aronn, the yellow line is normal as well as the stuttering within Premier is normal because you do not have Matrox hardware to support the codec to play back in real time full capacity.

You need to change the preview mode to draft in Premiere and size down the preview window. This is an intermediate format. You need to export to your deliverable format.. Remember, it is a free workaround method. So there is step to „work around“.

I was about to buy Neoscene Your method works without the stutter Cs I was having troubles with MPEG stream clip. I’ev compared the footage between Neoscene and your matrox method Matrox slightly lighter Size wise: Original MOV: Any ideas why the Matrox is so much bigger than the Neoscene? Any way of bringing it down a little in size? Anyway it works for free.. Thank you so much. The file size of any kind of video is determined by the data rate.

So when you export video within Premiere, you can adjust the data rate for the Matrox codec. The lower the data rate, the smaller the file size, thus less in image quality. The higher the data rate, the biiger the file size, yielding higher and better image quality. By the way whats the difference between encoding the mov and transcoding, Replied by LA Color Pros DJ, There is generation loss of image quality on any form of transcoding or converting.

Therefore, it is important to select a high quality intermediate codec or any lossless codec for this purpose. Depends on the computer power you have, transcoding process thus takes up time.

That’s the reason for this blog entry as Premiere CS4 is not capable of editing H. Transcoding them into AVI files will make the editing faster and easier with your current computer with CS4. Thus, there is no need to transcode if you are using CS5.

As specified in this blog page, you won’t be specifying it within Premiere, but select Desktop mode. What is the approx bit-rate that will match the image quality from the H. I want to edit my files that matches the quality from Native file H. You should try different values to see which one you like. Anyway, I recalled this post here and on hv I tried converting using mpeg streamclip and the Avid DNxHD codec but noticed as others that it compresses the dynamic range which you can clearly see in the waveform monitor.

From comments about the Matrox codec it keeps the same dynamic range. Do you know hoe I can do this transcoding with AME? The Codec will function the same way. Have you tried VirtualDub I’m not sure if it can read. Otherwise, seems like paying for Cineform NeoScene will be a good option for you. However, if you select broadcast REC levels, everything converts fine without crushing the dynamic range. I’m looking on my waveform monitor right now.

Follow the steps to create sequence that can handle the AVI files. I’ve tried different ones but I get a yellow line above the footage, and when i render it it just turns green. It’s for preview purpose. For some reason my AME won’t allow me to import the 7d. What’s the next best option for file conversion with minimum quality loss? Thanks again! Must have needed the reboot to sort itself out.

And can already notice the difference in the transcoding matrox file to the original in previewing a single clip.

Need to play around some more but on the way! I still have a question though – previously I could load my Nikon D HD mov files directly into CS4 and edit them without this codec.

Am I missing something here.. Why do I need to do this? Therefore, you can use this method if you are using CS4 with those H. Posted by M. And how about PAL system? I myself have never tried that. However, it should work. Your suggestion would be helpful to other users. When I bring I transcoded footage into the timeline it is still playing back with a stutter, even after I change the quality and reduce the preview monitor. I don’t really understand what this problem is and any help would be great.

Not sure what kind of system you have, have you tried turned off Aero and other background services? What format you are rendering the video into? Also, how do I check what format I’m rendering it into? Every time I render the sequence after making color corrections, adding effects, etc that is when the aspect ratio is freaking out. Thanks so much! If you are using a laptop, turning Aero off also save your battery life.

You need to know what’s your target audience before you render your video out. Mobile Device? There’re different format for each target audience. So you must have select the wrong type when you export your video.

Posted by Raymond H. I’m glad that I found it in time for my new project that I am working on. The only thing I was wondering is if there is a way to make sure that the audio is correct with the mouths of the actors.

When I converted, I noticed the audio didn’t line up exactly, about 1ms off. I recorded my footage in Is this what is keeping the audio from being completely synced? Or did I do something wrong? Thanks in advance for the help. Try to export a segment to see if the sync is off or not. I do not have such issue with my projects.

The frame rate round off shouldn’t be of any concern at all. MOV files. Just like you can double click to view them in Winddows Media Player. However, to edit them in Premiere, the performance is sluggish.

It was because Premiere CS4 does not natively support H. What could be the problem? I bought Canon T2i recently and I suddenly came across the compression issue.

Please give me the tutorial on how to convert or transcode Canon T2i footage to make for an easy edit in my Premiere Pro. Thanks very much. Having a slight problem. Once rendered and it has the green line above it, the image goes all squashed, very strange. Was considering re-installing Premiere pro.

Any advice? Please what should i do cos i need to work on some stuffs urgently. I’m having some issues though. First, when I try and make a sequence in CS4, and follow all the directions, the mpeg codec doesn’t come up as an option in the preview files, but it comes up in media encoder.

I am also getting the pink square problem as mentioned above. Help would be much appreciated! Ive got something problem the same as Brennan Freed. Under „video preview“ cant fount codec „mpeg2 I frames“ thus can’t select „I-frames only Mpeg“ as preview file format. Analysing thats why the video cant playback smoothly in previews. Any suggest? Gladly after Ive changed the codec into microsoft video1, smoothly preview appears now.

Thanks for the tutorial. Anyway have u try another method for editing dslr footage in PP CS4? How’s the result? I guess there is a difference on certain computer. There is another method called „Proxy Editing“. Basically use batch convert to generate a smaller version of the.

MOV file for editing purpose. That will work on a laptop including netbook. I personally did it so I can edit rough draft with my 11″ laptop sitting in a Starbucks. You can read more here.

Hopefully this helps someone. Furthermore, they were scaled up beyond the preview window on playback. Why is this????? Any idea how to correct this? It won’t install in Mac. Any solution for us mac users? I am racking my brain. Don’t want to have to get cineform. Thanks a bunch for sharing. I think the computer is not finding the newly installed codec, i restarted same thing? Thanks for taking the time to share your experience Is this true? Or is it better if I transcode the file into bit using matrox then edit it to Premiere cs5?

I want to color grade my footage by grading most of its information of the file. That’s great you can edit without any issue. However, it depends on which timeline preset that you pick that will have an impact on export. My avi files only have an bitrate of about kbps instead of I choosed 50 mbps. And I have tried this at home and it worked perfectly. I’ve been working on a short film project for a year now but still had problems with export format and codec.

Whatever I choose, the exported file has less quality than the source, the contrast is downgraded and the blacks are more grey. I just hear the sound. The same when I import them into Premiere CS4 and export it again. Do you have an idea? Thank you very much for your help!

I’m kinda desperate right now. I just need to ask God Bless You All Glad we can help. Fix please!!!!!! Replied by LA Color Pros Of course you can do it but losing 5 frames per seconds will cause constant stuttering of the entire video.

The clips have audio rate of can I make it please help. Did I miss something? Thanks for the great tutorial, and especially the preset guide! Blog Home Join Mailing List. Facebook Group Photo Template 1.

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How to Edit DSLR Footage in Premiere Pro CS4 | L.A. Color Pros Blog

Search for an easy solution? This article shows you the best and easiest solution to troubleshoot Premiere Pro MOV file import failure. Plus, some possible reasons and solutions are also added to help you resolve the problem. If you are currently using an older version of the Adobe for instance prior to Adobe version CS4, CS5 , maybe an upgrade of the Adobe version could help.

Don’t worry! There are two possible reasons that may cause file import error: your MOV video file got problem, your Premiere Pro software got problem, or your computer got problem.

To pin down what exactly goes wrong, you need to do the troubleshooting one by one. Can any other video player play your MOV file? If it could, then your file is not broken.

If all files with. To fix the problem, try restart Premiere Pro , computer or renderer , or update Premiere Pro or Graphics Drive to have a try. If you’ve tried lots of unsuccessful ways, it’s probably caused by the MOV codec incompatibility or missing issues.

And transcoding should be the most efficient yet easiest solution to fix „can’t import MOV to Premiere“ error. The process is fairly easy as long as you have such a easy-to-use yet powerful tool – EaseFab Video Converter. It is able to work with various MOV files, no matter what codecs are wrapped in and no matter what devices record. MOV H. The H. ProRes preserves the best image quality and provides better performance when editing in Adobe Premiere Pro, but creates much larger files that use more storage space than H.

Codec correction or conversion is just the tip of the iceberg that it can handle. Step 1. Dragging and droppping works too. Note: batch conversion is supported, so you can several mov videos to the program to convert at a time. Step 2. Click the Profile bar at the bottom. Choose a format preset that Premiere Pro can support.

The Apple ProRes files can make your editing process simpler and less resource-intensive but it typically need ten times as much storage. Editor’s Note: H. That said, if you just need to do a simple edit and your computer has the power to edit H. Step 3. Hit Convert and it will begin fast video decoding, conversion and processing your MOV video at one go.

After the conversion is complete, get the resulted files via clicking the Open button and then you can import the result files to Adobe Premiere Pro CC OR lower version without any trouble. When you failed to import an. And below are several useful troubleshootings for you.

Rename the file extension from. Someone has tried successfully. Howeover, this may damage your original files so you should copy a backup firstly. But the video codec inside your MOV files can’t be changed so it may not work if your video codec is not supported by Adobe Premiere.

So this is a risky method to try. Try another MOV file. If you can add other. In that case, you need to convert it to other video formats supported by Adobe Premiere or change the codec.

A video converter like EaseFab Video Convrter can help do this. Change video resolution. Some 4K or higher video resolution may not be supported by Adobe Premiere, so you can try to change the video resolution lower from 4K to p and then import it again.

MOV Editing Tips. MOV to Adobe Premiere. MOV to Premiere Elements. MOV to PowerPoint. Add MOV files to iTunes. Possible reason 1. Make sure you are not importing a corrupted MOV file to Premiere. Wrong settings in Premiere Pro If all files with. Follow us. All Rights Reserved.